“STAR WARS: EPISODE II – ATTACK OF THE CLONES” (2002) Review

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“STAR WARS: EPISODE II – ATTACK OF THE CLONES” (2002) Review

The fandom surrounding the 2002 movie, “STAR WARS: EPISODE II – ATTACK OF THE CLONES” has always struck me as somewhat a fickle affair. When the movie first hit the theaters over eleven years ago, many critics and film fans had declared the movie a major improvement over its predecessor, 1999’s “STAR WARS: EPISODE I – THE PHANTOM MENACE”. Some even went out of their way to declare it as the second best STAR WARS movie ever made. Another three to five years passed before the critics and fans’ judgement went through a complete reversal. Now, the movie is considered one of the worst, if not the worst film in the franchise.

Well, I am not going to examine what led to this reversal of opinion regarding “ATTACK OF THE CLONES”. Instead, I am going to reveal my own opinion of the movie. Before I do, here is the plot. Set ten (10) years after “THE PHANTOM MENACE”“ATTACK OF THE CLONES” begins with the Republic on the brink of a civil war, thanks to a former Jedi Master named Count Dooku. Disgruntled by the growing corruption of the Galactic Senate and the Jedi Order’s complacency, Dooku has formed a group of disgruntled planetary systems called the Separatists. the Galactic Senate is debating a plan to create an army for the Republic to assist the Jedi against the Separatist threat. Senator Padmé Amidala, the former queen of Naboo, returns to Coruscant to vote on a Senate proposal to create an army for the Republic. However, upon her arrival, she barely escapes an assassination attempt.

The Jedi Order, with the agreement of Chancellor Palpatine and the Senate, assigns Jedi Knight Obi-Wan Kenobi and his padawan (apprentice) of ten years, Anakin Skywalker, to guard Padmé. A contracted assassin named Zam Wessell makes another attempt on Padmé, but is foiled by Obi-Wan and Anakin. They chase her to a Coruscant nightclub, where they capture her. During their interrogation of Wessell, she is killed by her employer with a poisonous dart. The Jedi Council orders Obi-Wan to investigate the assassination attempt and learn the identity of Wessell’s employer. The Council also assigns Anakin as Padmé’s personal escort, and accompany her back to her home planet of Naboo. Obi-Wan’s investigation leads to a cloning facility on the planet of Kamino, where an army of clones are being manufactured for the Republic and Zam Wessell’s employer, a bounty hunter named Jango Fett. Not long after their arrival on Naboo, Anakin and Padmé become romantically involved, while aware of the former’s status as a member of the Jedi Order.

I could discuss the aspects of “ATTACK OF THE CLONES” that seem to repel a good number of fans. But that would take a separate article and I am not in the mood to tackle it. There were some aspects that I personally found questionable. One of those aspects was the handling of the character Jedi Master Sifo-Dyas. When Kamino Prime Minister Lama Su had informed Obi-Wan that a Sifo-Dyas had ordered a clone army for the Republic, I assumed that Count Dooku had impersonated his former colleague, following the latter’s death. It seemed so simple to me. Yet, a novel called “Labyrinth of Evil” revealed that the Jedi Master had been tricked into ordering the army by Chancellor Palpatine before being murdered by Dooku. Now, I realize that I am actually criticizing the plot of a novel, instead of “ATTACK OF THE CLONES”, but every time I watch this movie, I find myself wishing that Dooku had ordered the clone army, while impersonating Sifo-Dyas. But I do have a few genuine complaints. Physically, Daniel Logan made an impressive young Boba Fett. However, it was pretty easy for me to see that the kid was no actor. Oh well. I also wish that Lucas and screenwriter Jonathan Hales had proved a longer scene to establish the antipathy that seemed to be pretty obvious between Anakin Skywalker and his stepbrother, Owen Lars. Instead, their scenes together merely featured some low-key dialogue and plenty of attitude from both Hayden Christensen and Joel Edgerton. Oh well. And if I must be honest, Count Dooku’s lightsaber duel against Obi-Wan and Anakin on Geonosis proved to be rather lackluster and short.

Many fans have complained about the love confession scene between Anakin and Padmé at the latter’s Naboo lakeside villa. Although, I have a problem with the scene, as well; my complaint is different. Many believed that the scene made Anakin look like a sexual stalker. Frankly, I have no idea how they came to that conclusion. It seemed obvious to me that Lucas had based the Anakin/Padmé romance on something called courtly love. However, it was also obvious to me that Christensen seemed incapable of dealing with the flowery language featured in courtly love. I am not stating that he is a bad actor. There were many scenes in “ATTACK OF THE CLONES” that made it clear to me that he is a first-rate actor. But . . . the movie was shot when he was 19 years old. It is obvious that he was too young to handle such flowery dialogue. He was not the first. I still have memories of Keira Knightley and James McAvoy’s questionable attempts at the fast dialogue style from movies of the 1930s and 40 featured in the 2007 movie, “ATONEMENT”. Like Christensen before them, they were too young to successfully deal with an unfamiliar dialogue style.

Despite the above flaws, “ATTACK OF THE CLONES” remains one of my top two favorite STAR WARS movies of all time. Why? One, I love the story. Many fans do not. I do. It has an epic scale that some of the other movies in the franchise, save for “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK”, seemed to lack. And I feel that Lucas and Hales did an excellent job of allowing the story to flow from a simple political assassination attempt to the outbreak of a major galactic civil war. During this 142 minute film, the movie also featured some outstanding action, romance between two young and inexperienced people, a mystery that developed into a potential political scandal, family tragedy that proved to have a major consequence in the next film and war. The best aspect of “ATTACK OF THE CLONES” – at least for me – were the complex issues that added to the eventual downfalls of the major characters.

Naturally, Lucas provided some outstanding action sequences in the movie. I mean . . . they really were. I would be hard pressed to select my favorite action scene from the following list:

*Coruscant chase scene
*Obi-Wan vs. Jango Fett fight scene on Kamino
*Obi-Wan tracks the Fetts to Geonosis
*Anakin’s search for the kidnapped Shmi Skywalker on Tatooine
*Anakin and Padmé’s arrival on Geonosis
*The Geonosis arena fight sequence
*The outbreak of the Clones War

Earlier, I had complained about Obi-Wan and Anakin’s lackluster duel against Count Dooku. But . . . Dooku’s duel against Jedi Master Yoda more than made up for the first duel. I thought it was an outstanding action sequence that beautifully blended the moves of both CGI Yoda figure and actor Christopher Lee’s action double. More importantly, this duel between a Jedi Master and his former padawan beautifully foreshadowed the conflict between another master/padawan team in the following movie.

However, “ATTACK OF THE CLONES” was not simply an action film with little narrative. It had its share of excellent dramatic moments. Among my favorites are Anakin and Obi-Wan’s rather tense quarrel over the Jedi mandate regarding Padmé’s protection; Chancellor Palpatine’s pep talk to Anakin before the latter’s departure from Coruscant; Anakin and Padmé’s conversation about love and the Jedi mandate; Obi-Wan’s conversations with diner owner Dexter “Dex” Jettster, Count Dooku and especially his tense encounter with Jango Fett; Jedi Masters Yoda and Mace Windu’s conversation about the Clone Army; and finally Anakin and Padmé’s poignant declaration of love. But if I had to choose the best dramatic scene, it would Anakin’s final conversation with his dying mother, Shmi Skywalker. Not only was the scene filled with pathos, drama and tragedy; both Christensen and actress Pernilla August gave superb performances in it. Many fans have complained about the Anakin/Padmé romance in the film. I suspect a good number of them have a problem with Padmé falling in love with a future Sith Lord, especially after he had tearfully confessed to slaughtering the Tusken Raiders responsible for his mother’s death. Perhaps they wanted a modern-style love story, similar to the one featured in the first trilogy. Or they had a problem with the love confession scene. Although I had a problem with the latter, I definitely did not have problem with the romance overall. One, I never believed it should be an exact replica of the main romance featured in the Original Trilogy. And two, it featured other scenes building up to the romance that I found more than satisfying – especially Anakin and Padmé’s Naboo picnic and their declaration of love, while entering the Geonosis arena.

When talking about the acting in any STAR WARS movie, one has to consider the franchise’s occasional, yet notorious forays into cheesy dialogue. And if I must be frank, I have yet to encounter one actor able to rise above the cheesiness. But despite the cheesy dialogue, the saga has provided some first-class performances. They were certainly on display in“ATTACK OF THE CLONES”. Ewan McGregor became the saga’s new leading actor following the promotion of his character, Obi-Wan Kenobi, to Jedi Knight. And he did an excellent job as the straight-laced knight who continued to be wary of his padawan of ten years. McGregor also handled his action scenes with the same amount of grace he handled his performance. Instead of a stoic monarch, Natalie Portman’s Padmé Amidala has become a Senator for her home planet of Naboo. This has allowed Portman to portray her character with more force and vibrancy, much to my relief. And Padmé’s romance in this film allowed Portman to inject a good deal of passion into her performance. Hayden Christensen took over the role of Jedi padawan Anakin Skywalker with a great deal of criticism. Much of the criticism against him came from two scenes – Anakin’s confession of love for Padmé and a comment regarding a dislike of Tatooine’s sandy terrain. I do not understand the criticism about the sand line, since I have no problems with it. I have already expressed my complaints about the love confession scene. But I still felt that Christensen did an excellent job in portraying a 19 year-old Anakin, who lacked any real experience in romance and at the same time, harbored frustration and a good deal of angst regarding his Jedi master’s tight leash upon him. And at the same time, the actor did an excellent job in conveying the more intimidating (and scary) side of his character.

“ATTACK OF THE CLONES” featured other first-rate or solid performances. Ayesha Dharker gave a solid performance laced with amusement as Padmé’s successor as Naboo’s ruler, Queen Jamillia. Ahmed Best returned as Gungan Jar Jar Binks, now Naboo’s political representative for the Galactic Senate in a downsized role. Rose Byrne had a brief appearance as one of Padmé’s handmaidens, Dormé. Frankly, I found Joel Edgerton and Bonnie Piesse’s roles as Owen and Beru Lars equally brief. However, both Edgerton and Christensen still managed to convey some hostility between the two stepbrothers with very little dialogue. Jimmy Smits’ performance as Prince/Senator Bail Organa of Alderaan, future stepfather of Princess Leia Organa, was brief, yet solid.

The more impressive performances from Samuel L. Jackson, who was given a lot more to do in “ATTACK OF THE CLONES” – especially in the last third of the movie. And if there is one thing about Jackson, once a director gives him an inch, he will take it and give it his all. He certainly did in the Geonosis sequence. Christopher Lee made his first appearance in the STAR WARS as former Jedi Master Count Dooku. He was elegant, commanding and very memorable in the role. I could probably say the same about Temuera Morrison, who was marvelous as the bounty hunter, Jango Fett. This was especially in the Obi-Wan/Jango confrontation scene on Kamino. Both Kenny Baker and Anthony Daniels returned to portray droids R2-D2 and C3PO. Baker did a good job, as usual. But Daniels was really hilarious as finicky Threepio, who found himself in the middle of a battle with crazy results. And I will never forget his line – “Die Jedi dog! Die!”Pernilla August returned to portray Shmi Skywalker and probably gave one of the best performance in both the Prequel Trilogy and the saga overall. I found her portrayal beautiful and poignant. Both she and Christensen brought tears to my eyes. When I first saw “ATTACK OF THE CLONES”, I was surprised to see Jack Thompson in the role of Cliegg Lars, Shmi’s husband and Anakin’s stepfather. I must say that he gave a wonderfully gruff, yet poignant performance. And finally, there was Ian McDiarmid. Oh God! He was just wonderful. It is a pity that his role only made brief appearances in the film. I really enjoyed the actor’s take on his character’s subtle manipulations of others.

Watching “ATTACK OF THE CLONES”, it occurred to me that it was one of the most beautiful looking films in the franchise. Between David Tattersall’s photography, Ben Burtt’s editing, Gavin Bocquet’s production designs and the art designs created by a team led by Peter Russell, my mind was blown on many occasions by the film’s visual effects. I was especially impressed by the work featured in the Naboo scenes (filmed in Italy), the Coruscant sequences and especially those scenes set on the water-logged planet, Kamino. And yet, there is one scene that I always found memorable, whenever I watched the movie:

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But one cannot discuss a Prequel Trilogy movie without bringing up the name of costume designer Trisha Biggar. Her work in “ATTACK OF THE CLONES” – especially the costumes worn by Natalie Portman – blew the costumes she made for“THE PHANTOM MENACE” out of the water. For example:

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Padme 4

Padme 1

The Hollywood movie industry should be ashamed of itself for its failure to honor this woman for her beautiful work.

What else can I say about “ATTACK OF THE CLONES”? It is not perfect. I have never seen a STAR WARS movie that I would describe as perfect. But my recent viewing of this film has reminded me of how much I love it. Even after sixteen years or so. To this day, I have George Lucas to thank, along with the talented cast and crew that contributed to this film. To this day, I view “ATTACK OF THE CLONES” as one of the two best films in the franchise.

 

 

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Notes and Observations on “STAR WARS – EPISODE II: ATTACK OF THE CLONES” (2002)

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NOTES AND OBSERVATIONS ON “STAR WARS – EPISODE II: ATTACK OF THE CLONES” (2002)

The following is a list of minor notes and observations that came to me, during my recent viewing of “Episode II: Attack of the Clones”. I hope that you enjoy them:

*It is interesting that the story starts out with Coruscant – the seat of the Republic’s power – covered in a shroud of fog. Was this an allegory of the Republic’s impending doom? Or a sign of hidden secrets within the seats of power?

*Why did the Jedi believe they would have to protect the Republic in a military action, if the Separatists broke away? It seems as if the Republic and the Jedi were prepared to consider using military force to draw the Separatists back into the Republic, against their will.

*I noticed that both Mace and Ki-Adi had the same condescending attitude that the entire Council had in TPM, when explaining to Padme that Dooku could never be behind her assassination attempt.

*Why was it so important to Obi-Wan that he and Anakin follow the Council’s instructions regarding Padme, to the letter?

*I wonder if Jango would have killed Zam if she had succeeded in killing Padme.

*Are dreams usually dismissed by the Jedi in such a cavalier fashion?

*No wonder the Jedi and senators like Bail Organa had never formed a strong bond by ROTS, if Obi-Wan’s general attitude toward all politicians (which the Order shares, I suspect) is anything to go by.

*The more I look at Anakin and Obi-Wan’s interactions in AOTC, the more I realize how unsuited they were for a master/padawan relationship. Anakin would have been better off being trained by someone more suited to deal with his emotional and non-conformist personality. However, I see nothing wrong with Anakin and Obi-Wan forming a strong friendship, once Anakin becomes a Jedi Knight.

*I wonder if Anakin’s feelings about Palpatine would have remained the same if Obi-Wan had been less strident in his teaching.

*How interesting. Obi-Wan ended up following Anakin’s suggested mandate regarding Padme’s would-be assassin, after all.

*The Coruscant chase sequence is another major favorite with me. Note the slightly chubby woman with Ahmed Best and a silver-blond woman with too much eye make-up, both giving Anakin lust-filled glances in the nightclub scene. Come to think of it, I believe I had spotted two other women doing the same.

*”Until caught this killer is, our judgement she must respect.” – Why did Yoda believe that Padme MUST accept the Jedi’s decision that she return to Naboo? I realize that he is concerned for her safety. But why would he assume that she had no choice but to accept the Council’s decision on where she should be? At least Mace seemed to realize that Padme would obey if Palpatine, as the Supreme Chancellor, had given the order.

*When discussing his abilities with Palpatine, Anakin is polite and practically modest. Yet, whenever he is around Obi-Wan or discussing the latter, he becomes arrogant about his abilities and bitter at what he perceives as Obi-Wan’s inability to recognize them.

*”Anakin . . . don’t try to grow up too fast.” – It is ironic that Padme would say this to Anakin, considering that she has been trying to do this very thing for most of her life.

*Although Captain Typho’s assumption on the safety of Padme’s arrival on Coruscant proved to be false, his fear that she might do something foolish or rash proved to be very accurate.

*”If an item does not appear in our records, it does not exist.” – ah, another prime example of the Jedi’s arrogant belief in themselves. Who would have thought it would come from the Archives’ librarian?

*Anakin might be pretty close to the truth in the definition of love he had given to Padme.

*Despite the sweet and charming overtones of the younglings scene, it still has a sinister sense of the foreboding.

*It is interesting how ALL of the Separatists are tainted with the same brush as the Trade Federation and the Banking Union, because they had sought the latter for help. Guilt by association.

*When Sio Biddle had asked Anakin a question about Padme’s safety, Padme rudely interrupts and brushes off Anakin. Now, why did she do that? And in such a rude manner?

*It’s interesting how the imagery and symbolism on Kamino seemed to be of the fertile kind.

*I just realized that if Palpatine had eventually accused the Jedi of creating the Clone Army, he would have been correct. Especially since Master Sifo-Dyas really did order the creation of the clones for the Republic.

*For someone with hardly any experience in romance, Anakin managed to do a good job in winning over Padme without resorting to smooth lines and a cocky manner.

*Of course . . . Padme seemed to be a bit of a flirt, herself. She certainly knows how to use her voice effectively.

*In an article on Anakin and Padme’s relationship, I read a segment from a poem or story written hundreds of years ago that was compared to Anakin’s fireside speech. What amazed me was how similar Anakin’s speech was to what is considered courtly love.

*I noticed that once Padme had rejected Anakin’s offer of love, he turned away from her. And she, in turn, began to pursue him in a very subtle manner.

*It is ironic that Anakin believes that he did not have a choice in leaving Naboo to help his mother. In reality, he did have a choice . . . and he exercised it. Like the other characters around him, Anakin has become adept at deluding himself.

*I see that Obi-Wan had made the first move in his fight with Jango Fett on Kamino. Not only did it result in him nearly falling over a ledge, it was the movie’s first sign of the “good guys” acting as the aggressors.

*”Those Tusken Raiders. They may walk like men, but they’re nothing more than vicious, mindless monsters.” – Judging from Cliegg Lars’ words, I cannot help but wonder if Anakin’s murder of the Tusken Raiders was something rare on Tatooine. Would Anakin’s actions have been condoned by Tatooine’s moisture farmers? Cliegg’s words seemed to have a xenophobic ring to them.

*When Padme told Anakin that it was okay to be angry, she was right. It was okay. It would have been a lot unhealthier for Anakin to pretend otherwise. But where Anakin went wrong was that he had allowed his anger to overwhelm him . . . which led to his murder of the Tuskens.

*Anakin’s claim that he would even learn to stop people from dying seemed to foreshadow his opera conversation with Palpatine in ROTS.

*If Jar-Jar had not proposed that Palpatine should be given emergency powers, I wonder who would have made the proposition? Bail Organa had been certain that the Senate would never grant such powers to the Chancellor or authorize a clone army. Boy, was he wrong!

*Did Obi-Wan’s own prejudices and beliefs in the Jedi’s infallibility led him to easily dismiss Dooku’s claim that a Sith Lord had control over the Senate?

*I think that Padme’s arrogant belief in her diplomatic skills were in overdrive, when she and Anakin learned about Obi-Wan’s predicament. I can see why Typho had been worried that she would do something rash.

*It seems interesting that Anakin was the only one who had managed to control the attacking him in the Geonosis area, without resorting to brute force. Was this a metaphor of his potential to control (but not suppress) the animus within himself? A potential that he had failed to attain until the end of his life?

*Obi-Wan, on the other hand, succeeded in dealing with his animal attacker with brute force . . . just as he had succeeded with Maul and Anakin. Was this a foreshadow of his advocacy of Luke using violence to deal with Vader/Anakin in the Original Trilogy?

*I suspect that Jango’s success in killing Jedi Master Coleman Trebor had gone to his head, when he had decided to attack Mace. Just as many of the Jedi have discovered in this movie and will discover in ROTS, Jango will learn that it does not pay to be the aggressor.

*I did not realize that the Republic and the Jedi had acquired both troops and weapons from the Kaminoans.

*It is interesting that Obi-Wan’s threat of expulsion from the Jedi Order did not faze Anakin one bit, in his concern for the fallen Padme. Either the Jedi Order was never that important enough to Anakin . . . or it was too important to Obi-Wan. Or perhaps it was both.

*Both Anakin and Obi-Wan made the mistake of aggressively moving against Dooku, first. And both had failed. Again, this seemed to be another example of the Jedi’s acceptance of using aggression in this movie.

*Anakin vs. Dooku – it’s ironic that this was the first duel between Palpatine’s present and future apprentices.

*Dooku, who had wisely allowed both Obi-Wan and Anakin to be the aggressors, became the aggressor, himself, in his duel against Yoda. He had barely managed to escape with his life.

*The failure of aggression committed by our heroes and by villains like Dooku and Jango seemed to be the theme for this movie . . . and perhaps the Prequel Trilogy overall. This theme seems especially true for the Jedi, who had agreed to use the clone troopers against the Separatists. The same clone troopers that will become the tools of their destruction. Irony at its most tragic.

*Looking back on AOTC, it strikes me as being a very nourish story, despite the some of the usual STAR WARS elements. Perhaps that is why so many people have difficulty in accepting it. Film noir can be highly regarded – or not. But people rarely understand it, or bother to watch it in the movie theaters.

Notes and Observations of “STAR WARS: EPISODE I – THE PHANTOM MENACE” (1999)

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The following is a list of minor notes and observations that came to me, during my recent viewing of “STAR WARS: EPISODE I – THE PHANTOM MENACE”.  I hope that you enjoy them:

 

NOTES AND OBSERVATIONS OF “STAR WARS: EPISODE I – THE PHANTOM MENACE” (1999)

The following is a list of minor notes and observations that came to me, during my recent viewing of “EPISODE I – THE PHANTOM MENACE”. I hope that you enjoy them:

*Both the Trade Federation and Darth Sidious seemed surprised that Supreme Chancellor Valorum had dispatched Jedi Knights to act as mediators between the Trade Federation and Naboo. Apparently, this discovery had led Sidious to order a premature invasion of Naboo.

*Why were the Trade Federation fearful of the Jedi, acting as ambassadors?

*Why would Boss Nass and the Gungans want Jar-Jar Binks banished for simply being clumsy? Why did his clumsiness bother him so much? Was this an indication of the Gungans’ lack of tolerance toward imperfection? Could one say the same about those STAR WARS fans who dislike Jar-Jar with a vengeance?

*”You overdid it.” – Was that Obi-Wan Kenobi admonishing his master, Qui-Gon Jinn, for making Jar-Jar too relaxed?

*Isn’t it ironic that it was Obi-Wan who led Qui-Gon, Padme and himself to Anakin, by suggesting that the Queen’s ship seek repairs on Tatooine?

*After two attempts, Qui-Gon discovered that the Jedi Mind Trick did not work on Watto and other Toydarians. Perhaps this is why he had failed to free both Skywalkers from slavery.

*Many have complained that Lucas should have shown the Nabooans suffering under the Trade Federation’s invasion. Perhaps. Perhaps not. But after Sio Biddle had sent that message to the Queen about the suffering on the planet, both Qui-Gon and Obi-Wan expressed suspicion that the message might be a trick to lure the Queen back into the Trade Federation’s clutches. Of course, they were wrong.

*Darth Maul managed to track down the Queen’s whereabouts, via Sio Biddle’s transmission to Tatooine.

*Anakin told Qui-Gon and Padme that he had been working on a scanner to locate the transmitter in his head. As many know, the transmitter will blow up any slave attempting an escape. I wonder what would have happened if Qui-Gon and Obi-Wan had made an attempt to get Shmi away from Tatooine.

*Apparently, the idea to enter Anakin into the Boonta Eve Podrace was his own idea . . . supported very reluctantly by Shmi.

*”What if this plan fails, Master? We could be stuck here for a very long time.” – Obi-Wan’s remark seemed to foreshadow his own fate on Tatooine.

*Qui-Gon’s plan to free Anakin seemed to have been instigated by Shmi’s request that he find a way help Anakin leave Tatooine and slavery.

*If Watto believed that Sebula would win the race, why did he agree to support Qui-Gon’s backing of Anakin? I believe that Watto felt he would get his hands on Queen Amidala’s ship if Anakin had lost. And if the latter had won then he and Qui-Gon would split the victor’s fee. But Watto’s greed and lack of faith in Anakin allowed him to be manipulated by Qui-Gon into betting against his young slave.

*I LOVE the podrace sequence. I love every detail about it. Along with the Battle of Naboo, it is the highlight of the movie.

*Interesting. Qui-Gon, Obi-Wan, Panaka and Anakin had all bowed before Valorum and Palpatine. Yet, both the present and future chancellors did not bow before Queen Amidala, upon the latter’s arrival on Coruscant.

*Amidala seemed certain of Valorum’s support in the Naboo/Trade Federation matter. Yet, Palpatine immediately set out to undermine Valorum in Amidala’s eyes . . . and suggest that a new chancellor be elected.

*Yoda seemed particularly aggressive when questioning Qui-Gon’s belief that Anakin might be the Chosen One to fulfill the prophecy.

*Why does Palpatine want Padme to accept the Trade Federation’s control of Naboo? What plans did he have for this situation, once he became chancellor?

*Many have accused The Phantom Menace of lacking in emotion. Yet, there seemed to be a heavy undercurrent of emotion in the movie. In the scene which featured the Jedi Council’s initial rejection of Anakin, Yoda, Mace Windu, Ki-Adi Mundi and other Council members seemed smug and arrogant over their decision. Anakin looked angry at the Council, and Qui-Gon . . . disappointed.  But most surprisingly, Obi-Wan looked both surprised and angry at Qui-Gon’s support of Anakin. I suspect that he felt a little rejected.

*Why did Palpatine warn Darth Maul to allow Padme, the Naboo and Gungan forces, and the Jedi to make the first move?

*I never realized that Anakin had saved Padme, Panaka and the Nabooans in the hangar, by shooting at the droidekas.

*So . . . R2-D2 wanted Anakin to return to Naboo, once they had joined Ric Olie and the other Nabooan pilots in their battle against the Federation ships.

*Anakin had ended up inside the Federation ship, because his fighter had been hit. And he had accidentally destroyed the shield generator.

*Before striking down Qui-Gon, Darth Maul seemed frustrated by his inability to kill the Jedi Master.

*If the Jedi Council had finally approved of Anakin’s entry into the Order, why didn’t Yoda use a less strident manner to convince Obi-Wan to allow someone else – someone more mature – to train Anakin? Who knows? Perhaps he may have been more convincing.

*The moment the camera focused upon Palpatine’s face during Qui-Gon’s funeral, you can hear the cheers of triumph that would lead to the victory celebration.

*Both Anakin and Obi-Wan seemed uneasy in each other’s company during the celebration. In fact, Anakin seemed unusually sober . . . until he exchanged a smile with Padme. I suspect that Obi-Wan had noticed that exchange, judging by his expression.

“STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK” (1980) Review

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“STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK” (1980) Review

From a certain point of view, I find it hard to believe that the 1980 film, “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK” has become the most critically acclaimed STAR WARS movie by the franchise’s fans. And I find it hard to believe, due to the film’s original box office performance. 

I was also surprised that “THE EMPIRE STRIKES BACK” was released in the first place. Despite the ambiguous nature of villain Darth Vader’s fate in the 1977 film, “STAR WARS: EPISODE IV – A NEW HOPE”, I had assumed that film’s happy ending meant the story of Luke Skywalker and his friends was over. But my assumption proved to be wrong three years later. Many other filmgoers and critics also expressed surprise at the release of a second STAR WARS movie. More importantly, a surprising revelation and an ending with a cliffhanger resulted in a smaller box office for “THE EMPIRE STRIKES BACK” than either “A NEW HOPE” or the 1983 film, “STAR WARS: EPISODE VI – RETURN OF THE JEDI”. Yet, thirty-three years later, the movie is now viewed as the most critically acclaimed – not just among the first three movies, but also among those released between 1999 and 2005.

“THE EMPIRE STRIKES BACK” begins three years following the events of ” A NEW HOPE”. Despite the Rebel Alliance’s major victory above the planet of Yavin and the destruction of the Galactic Empire’s Death Star, the rebellion continues to rage on. Luke Skywalker, now a wing commander at the Rebels’ base on Hoth, patrols beyond the base’s perimenter with close friend and former smuggler Han Solo. After the latter returns to base, Luke is attacked by a wampa and dragged into the latter’s cave. Meanwhile, Han receives word from Princess Leia, one of the Rebel leaders and a friend of both men, that Luke has not returned. He leaves the base to find Luke, while the latter manages to escape from the wampa’s lair. Luke stumbles into a snowstorm and before losing consciousness, receives a message from the Force spirit of his late mentor, Jedi Master Obi-Wan Kenobi, to seek out another Jedi named Yoda on Dagobah for further training. Han eventually finds Luke before a Rebel patrol finds them both. 

While Luke recovers from his ordeal, Leia and General Rieekan learn from Han and his Wookie companion Chewbacca have discovered an Imperial probe. They surmise that Imperial forces know the location of their base and might be on their way. The Rebel Alliance forces prepare to evacuate Hoth. But an Imperial presence on the planet served as a bigger problem for the heroes. Unbeknownst to them, Darth Vader seeks out Luke, following his discovery of the young man’s connection to the Force three years ago. Although the three friends will separate for a period of time and experience adventures of their own, Lord Vader’s hunt for Luke will result in great danger and a surprising revelation in the end.

I once came across a post on the TheForce.net – Jedi Council Forums message board that complained of the lack of a main narrative for “THE EMPIRE STRIKES BACK”. A part of me could understand why this person reached such an opinion. Despite the circumstances on Hoth and the finale on the Bespin mining colony, our heroes barely spent any time together. Following the Rebel Alliance’s defeat on Hoth, Luke and R2-D2 traveled to Dagobah, where the former continued his Jedi training under Master Yoda. Meanwhile, Han and Chewbacca helped Leia and C3-P0 evade Darth Vader and Imperial forces on Hoth and in space before seeking refuge on Bespin. I believe this person failed to realize that other than Luke’s Jedi training with Yoda, most of the movie’s narrative centered on Vader’s attempts to capture Luke – the Imperial invasion of Hoth, his pursuit of Han and Leia aboard the Millennium Falcon, and their subsequent capture on Bespin. Even Luke’s Jedi training was interrupted by visions of his friends in danger and journeyed into the trap set by Vader. And this is why I found it hard to accept this complaint about “THE EMPIRE STRIKES BACK”.

Most fans tend to regard the movie as perfect or near perfect. Despite my feelings for “THE EMPIRE STRIKES BACK”, I cannot agree with this view. I believe that the movie has its flaws. One could find cheesy dialogue in the movie, especially from Darth Vader. He possessed an annoying penchant for constantly using the phrase “It is your destiny” in the movie’s last half hour. Some of Leia and Han’s “romantic dialogue” in the movie’s first half struck me as somewhat childish and pedantic. Speaking of those two – how did they end up attracted to each other in the first place? “A NEW HOPE” ended with Han making a brief pass at Leia during the medal ceremony. But she seemed to regard him as a mere annoyance and nothing else. Three years later, both are exchanging longing glances and engaging in verbal foreplay at least ten to fifteen minutes into the story. I would have allowed this to slide if a novel or comic story had explained this sudden shift toward romance between them. But no such publication exists, as far as I know. This little romance seemed to have developed out of the blue.

There were other problems. The movie never explained the reason behind Leia’s presence at the Rebels’ Hoth base. She was, after all, a political leader; not a military one. The base already possessed a more than competent military leader in the form of General Rieekan. Watching Leia give orders to the pilots during the base’s evacuation made me realize that she really had no business interfering in the Rebels’ military protocol. “THE EMPIRE STRIKES BACK” also failed to explain why Han was being hunted by Jabba the Hutt after three years. I thought the payment he had received for delivering Leia and the Death Star plans to Yavin was enough to settle his debt to the Tattooine gangster. Apparently not. And the movie failed to explain why. Perhaps there is a STAR WARS that offered an explanation. I hope so. For years, I never understood the symbolism behind Luke’s experiences inside the Dagobah cave during his Jedi training. And I am not sure if I still do. Finally, how long did Luke’s training on Dagobah last? And how long did it take the Millennium Falcon to reach Bespin with a broken hyperdrive? LucasFilm eventually revealed that both incidents took at least three months. If so, why did the movie failed to convey this particular time span?

Thankfully, “THE EMPIRE STRIKES BACK” more than rose above its flaws. For me, it is still one of the best science-fiction adventure films I have ever seen. I am amazed that such a complex tale arose from two simple premises – Darth Vader’s hunt for Luke Skywalker and the continuation of the latter’s Jedi training. From these simple premises, audiences were exposed to a richly detailed and action-filled narrative, thanks to George Lucas’ story, Lawrence Kasdan’s screenplay (which was also credited to Leigh Brackett) and Irvin Kershner’s direction. The movie featured many exciting sequences and dramatic moments that simply enthralled me. Among my favorite action sequences were the Millennium Falcon’s escape from Hoth, Yoda’s introduction, Han’s seduction of Leia inside the giant asteroid worm, the Falcon’s escape from the worm. For me, the movie’s best sequence proved to be the last – namely those scenes on the mining colony of Bespin. I would compare this last act in “THE EMPIRE STRIKES BACK” to the Death Star sequence in “A NEW HOPE” or the Mos Espa podrace sequence in “STAR WARS: EPISODE I – THE PHANTOM MENACE”. The Bespin sequence featured a few truly iconic moments. Well . . . if I must be honest, I would say that it featured two iconic moments – Han’s response to Leia’s declaration of love and Darth Vader’s revelation of his true identity.

Naturally, one cannot discuss a STAR WARS movie without mentioning its technical aspects. In my review of “A NEW HOPE”, I had failed to mention Ben Burtt’s outstanding sound effects. I will add that his work in “THE EMPIRE STRIKES BACK” proved to be equally outstanding. I could also say the same for the movie’s sound mixing, which earned Academy Awards for Bill Varney, Steve Maslow, Greg Landaker, and Peter Sutton. Composer John Williams’ additions to his famous STAR WARS score were not only outstanding, but earned him an Academy Award nomination. Those additions included a love theme for the Leia/Han romance and the memorable “Imperial March”, which is also known as “Darth Vader’s Theme” As far as I am concerned, the tune might as well be known as the Sith Order’s theme song. The team of Brian Johnson, Richard Edlund, Dennis Muren, and Bruce Nicholson did an outstanding job with the movie’s visual effects – especially for the Battle of Hoth sequence. I can also say the same for Peter Suschitzky’s photography. However, my favorite cinematic moment turned out to be Luke’s initial encounter with Darth Vader on Bespin. Even to this day, I experience a chill whenever I see that moment when they meet face-to-face for the first time. Although John Mollo’s costumes caught Hollywood’s attention after “A NEW HOPE” was first released (he won an Oscar for his effort), his costumes for “THE EMPIRE STRIKES BACK” seemed like a continuation of the same. In fact, I found the costumes somewhat on the conservative side, even if they blended well with the story.

It is interesting that the performances of both Harrison Ford and Carrie Fisher garnered most of the attention when “THE EMPIRE STRIKES BACK” first came out. The Leia/Han romance was very popular with fans. Mind you, both gave very good performances. But I believe that Mark Hamill acted circles around them. And not surprising, he won a Saturn Award for his performance as Luke Skywalker in this film. Billy Dee Williams also gave a first-rate performance as the roguish smuggler-turned-administrator, whose charming persona hid a desperation to do anything to save the inhabitants of Bespin from Imperial annihilation. James Earl Jones and David Prowse continued their outstanding portrayal of Darth Vader aka Anakin Skywalker, with one serving as the voice and the other, the physical embodiment of the Sith Lord. Julian Glover, who later appeared in “INDIANA JONES AND THE LAST CRUSADE” made a brief appearance as the commander of the Imperial walkers, General Veers. Anthony Daniels, Kenny Baker and Peter Mayhew continued their excellent work as C3-P0, R2-D2 and Chewbacca. But I was particularly impressed by Frank Oz’s voice work as the veteran Jedi Master Yoda, and Kenneth Colley as the Imperial Admiral Piett, whose cautious and competency led him to rise in the ranks and avoid Vader’s wrath for any incompetence.

Is “THE EMPIRE STRIKES BACK” my favorite STAR WARS movie of all time? Almost. Not quite. For me, it is tied in first place with one other movie from the franchise. But after thirty-seven years and in spite of its flaws, I still love it. And I have give credit to not only the talented cast and crew, but also director Irwin Kershner, screenwriter Lawrence Kasdan and especially the man behind all of this talent, George Lucas.

Notes and Observations of STAR WARS: “Episode V – The Empire Strikes Back”

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Notes and Observations of “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK”

The following is a list of minor notes and observations that came to me, during my recent viewing of “Episode V: The Empire Strikes Back”. I hope that you enjoy them:

*Exactly who was in command of the Rebel Alliance base on Hoth – Leia or General Rieekan?

*What was Leia doing on Hoth with the Rebel Alliance military personnel? Why wasn’t she with the other political Rebel leaders?

*Ah yes! The ”I’ just as soon kiss a Wookie!” dialogue between Leia and Han. Charming, although slightly . . . childish.

*How . . . or should I say when did Han and Leia reach the point in which they became attracted to one another?

*It was interesting to see how Obi-Wan’s ghost faded with the emergence of Han on a tauntaun.

*”Why, you stuck up,… half-witted… scruffy-looking …nerf-herder!” – Another charming, yet childish exchange between Leia and Han.

*Jealousy and ambition seem quite obvious within the Imperial command structure, if General Ozzel’s glare at Piett is anything to go by.

*I find it interesting that the exchange between Luke and Han before the commencement of the Battle of Hoth would be the last between them for at least a year.

*Vader’s ability to strangle Ozzel with the Force from such a large distance seemed very impressive for someone whose strength with the Force has been weakened.

*The pilots’ point of view of the Battle of Hoth seemed like another cliché of a World War II dogfight . . . like the Battle of Yavin.

*Luke was made commander of the Rebel pilots because he had destroyed the Death Star . . . with Han’s help? What about Wedge, who was also a competent pilot and more experienced?

*The Imperial AT-AT Walkers remind me of the Oliphaunts from the ”LORD OF THE RINGS” saga.

*Wasn’t Leia taking her duty just a bit too seriously by delaying her departure from Hoth?

*I noticed that Han never seemed to follow the ladies first rule. When he, Leia and Chewie and Threepio had escaped both from Hoth and the exogorth in the asteroid field, he made sure that he boarded the Millennium Falcon first. Not exactly a man of the Old Republic.

*Han really revealed how much of a hot shot pilot he was in this movie.

*”Into the belly of the beast” – This metaphor seemed to fit the Falcon’s entry into exogorth even more than Luke, Han and Leia’s brief adventures inside the Death Star’s trash compactor.

*The audience got a brief glimpse of the price Anakin paid for his past mistakes – namely his scalded head.

*”Feel like what?” – Yoda’s first words in any ”STAR WARS” movie.

*”Great warrior? Hmmm . . . wars do not make one great.” – Ironic words from the very being who led the first attack, during the first battle of the Clone Wars. His words also revealed the true Yoda behind the comic façade. I think Luke may have been too impatient or full of himself to notice.

*”You like me because I’m a scoundrel. There aren’t enough scoundrels in your life.” – One can only assume that Leia’s age – 22 years – and limited experience with men would explain why she bought that bilge pouring from Han’s mouth.

*”He’s just a boy. Obi-Wan can no longer help him.” – Surely these words must have hinted to Palpatine that Vader had been aware of Luke for some time?

*I see that Clive Revill has been replaced by Ian McDiarmid as the Emperor Palpatine in this version of the movie. Which makes sense, considering that McDiarmid is more identified with the role.

*”This one a long time have I watched. All his life has he looked away . . . to the future, to the horizon. Never his mind on where he was.” – I believe that Yoda had just described himself and many other Jedi Masters and Knights of the Old Republic, nearly a quarter of a century ago. If he and Obi-Wan could learn to overcome this distraction from the future, why not Luke? Why was Yoda so reluctant to teach Luke? Is it Luke he doubts? Or himself as a teacher?

*”If once you start down the dark path, forever will it dominate your destiny, consume you it will, as it did Obi-Wan’s apprentice.” – I hope that Yoda was trying to say that a person will always be affected by his or her earlier decision to take a dark path or commit dark acts. Because if he was trying to say that a person will always remain evil, after taking the dark path, I must say that I disagree.

*Han used a neat trick to evade the sensors of Captain Needa’s starship, after the Falcon left the asteroid field.

*”Luminous beings are we. Not this crude matter.” – A favorite line of mine.

*It was very clever of Han to attach the Falcon to an Imperial starship before disguising it as garbage to be disposed with the other. Unfortunately for him, Boba Fett had witnessed a similar trick pulled by Obi-Wan near Geonosis, some 25 years ago. Even worse, it is a shame that Han was so busy congratulating himself over his trick that he failed to realize that Fett was tracking him.

*”Through the Force, things you will see. Other places. The future… the past. Old friends long gone.” – I wonder if Yoda was thinking of Mace Windu.

*According to LucasFilm, it took the Falcon three months to reach Bespin without a hyperdrive. If only Lucas and the others had made this clear in the movie.

*The Falcon was practically escorted to one of the landing platforms on Cloud City. I wonder why.

*Great entrance for Billy Dee Williams as Lando Calrissian.

*Was CP-30 really that dense in that he would be so easily distracted from the group by the sound of an R2 unit?

*”Stopped they must be. On this all depends. Only a fully trained Jedi Knight with the Force as his ally will conquer Vader and his Emperor”. – Did that mean Yoda had never intended for Luke to help Anakin find redemption?

*Apparently, the original deal between Vader and Lando did not include Han being turned over to Boba Fett. And later, Vader broke his word and insisted that Leia and Chewie accompany him. Interesting. It is a miracle that the Sith Lord did not renege on the deal even further by destroying Bespin and its population.

*And why did Han and Leia fail to understand the situation that Vader had placed Lando? Were they too blinded by anger?

*I find it interesting that not once did Vader set eyes upon C3-P0, his own creation. Why? Because Chewbacca had the droid strapped to his back.

*How stupid were Leia and Chewbacca? It was obvious that Lando had released them from Vader’s stormtroopers. Yet, all they could do was lose their tempers. Chewbacca immediately began to strangle Lando and Leia encouraged the Wookie. Because their temper tantrums, they prevented Lando from rescuing Han from Boba Fett.

*I must admit that I found the dialogue during the Bespin duel rather irritating. The most important thing about the duel seemed to be Vader’s revelation as Anakin Skywalker . . . after the fighting stopped.

*Vader’s reaction to Luke and Leia’s escape from Bespin was an excellent moment of silent acting on David Prowse’s part. With his use of body language, he managed to express Vader’s regret over losing Luke . . . and the beginning of Anakin Skywalker’s resurgence.

“STAR WARS: EPISODE IV – A NEW HOPE” (1977) Review

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“STAR WARS: EPISODE IV – A NEW HOPE” (1977) Review

Long ago (thirty-nine years and six months, to be exact) and in a galaxy far, far away, producer-director-writer George Lucas made film history with the release of his movie, “STAR WARS: EPISODE IV – A NEW HOPE”. Only, during the summer of 1977, it was simply known as “STAR WARS”. And this science-fiction/fantasy homage to Saturday morning serials and mythology was something that moviegoers had never seen before.

Now considered as the fourth film installment of Lucas’ STAR WARS saga, “A NEW HOPE” chronicled the adventures of a space-aged farmboy named Luke Skywalker, who finds himself swept up in a galactic conflict between a tyrannical empire and a band of rebel fighters determined to return freedom to the galaxy. Not only did the film introduced the concept of the summer blockbuster and created a movie/television/literary franchise that made billions for its creator, it also became the second highest grossing film in Hollywood history (as of 2012) and ushered in a new age for movie special effects. This movie has made such a major impact upon Hollywood that its effects are still being felt to this day.

“A NEW HOPE” began with an opening crawl describing a galaxy in a state of civil war. Spies for the Rebel Alliance have stolen the plans for the Galactic Empire’s new weapon – a heavily armed and armored space station capable of destroying an entire planet called the Death Star. One of the Rebel Alliance leaders, Princess Leia Organa of Alderaan, is in possession of the Death Star plans when her ship is attacked by Imperial forces under the leadership of the Sith Lord Darth Vader. Before she could be captured, Princess Leia hides the plans and a holographic recording into the memory of an astromech droid called R2-D2. The small droid and its companion, a protocol droid named C-3PO flee to the surface of the desert planet Tatooine. While Darth Vader sends a contingent of stormtroopers to look for the droids, R2 and 3PO find themselves captured by Jawa traders, who sell them to a moisture farmer and his nephew named Owen Lars and Luke Skywalker.

Luke, who is an orphan, yearns to leave his uncle’s farm and find adventure in the stars. He finds it when he releases Princess Leia’s holographic recording, while cleaning R2-D2. The recording is for a man named Obi-Wan Kenobi. Surmising that Obi-Wan Kenobi and Ben Kenobi, who is a neighbor of his Uncle Owen, are one and the same; Luke delivers the droids and the message to the aging hermit. The young man also discovers that Kenobi is a former Jedi Master, who knew his father Anakin Skywalker, who used to be a Jedi Knight. Obi-Wan suggests that Luke help him deliver the Death Star plans to Princess Leia’s father on Alderaan. At first, Luke rejects the offer. But when his Uncle Owen and Aunt Beru are found murdered by Imperial stormtroopers looking for the droids, Luke decides to join Obi-Wan on the latter’s new adventure. They recruit the services of two smugglers – Han Solo and Chewbacca – to convey them to Alderaan. The journey proves to be a new beginning not only for Luke, but also his new companions.

I have a confession to make. When I first saw “A NEW HOPE” during the summer of 1977, I did not like it at all. Looking back, I realize that my hostile feelings toward the movie stemmed from a sense of being overwhelmed by something I found mind blowing and completely new. The release of “THE EMPIRE STRIKES BACK” and “RETURN OF THE JEDI” eventually eased the impact of Lucas’ saga upon my psyche. But it took several years for me to first warm up and eventually embrace “A NEW HOPE”. Despite my eventual love for the movie, I have never viewed it as my favorite of the saga (so far) . . . or as one of my top favorites. But I can honestly say that after thirty-nine years, it still has quite a punch. In fact, I believe that it is probably the most entertaining and fun of the six STAR WARS films produced by George Lucas.

It is easy to see why “A NEW HOPE” is so beloved by many fans of the saga. The plot, written by Lucas, has the hallmarks of a first-rate adventure filled with space battles, escapes, daring-dos, a lightsaber duel, snarky dialogue, a roguish smuggler, a villain in black, a royal damsel-in-distress (who becomes a protagonist herself), a wise mentor and an innocent boy who answers the call to adventure. I suspect that another major reason why “A NEW HOPE” is so appealing to many of the saga’s fans is the “good-vs-evil” aspect of both its tale and its characters. It must have been very easy for moviegoers to identify with the movie’s protagonists and their fight against the tyranny of the “evil” Empire. For me, the movie’s pièce de résistance proved to be the entire sequence aboard the Empire’s Death Star. From the moment the heroes’ ship the Millennium Falcon found itself forced into the depths of the large battle station, to the moment when they escape some 20 to 30 minutes later, the entire Death Star sequence seemed to be one major fun fest that crackled with humor and action.

With the exceptions of Alec Guinness and Peter Cushing, the cast of “A NEW HOPE” was filled with unknowns. I do not recall any well-known movie that Mark Hamill had appeared in before he became famous as Luke Skywalker. But Carrie Fisher, who portrayed the sharp-tongued Princess Leia, had already appeared in 1975’s “SHAMPOO”. And Harrison Ford, who would become a bigger star than either of his co-stars, had worked for Lucas before in the latter’s 1973 classic, “AMERICAN GRAFFITI”. But all three actors created an excellent screen team. Actors such as Peter Mayhew, who portrayed Han Solo’s first mate Chewbacca; along with Anthony Daniels and Kenny Baker, who appeared in all six movies as the droids C-3PO and R2-D2; added their magic to the mix. Many people have made a big deal over David Prowse’s physical and James Earl Jones’ vocal portrayals of Sith Lord Darth Vader. And they were quite right to do so. Both actors contributed a great deal to the character. But I have rarely come across any comments about Peter Cushing’s performance as the cold-blooded and arrogant military commander of the Death Star, Grand Moff Tarkin. I find that a shame, because I thought he made a very effective villain . . . even more so than Vader. And of course, there is Alec Guinness, who portrayed Obi-Wan Kenobi. Guinness earned an Academy Award for his portrayal of the iconic Jedi Master. And I believe it was well earned. He did an excellent job as Luke’s wise and patient mentor, who was haunted not only by his past, but past deeds.

I was not kidding when I had stated that “A NEW HOPE” was not one of my top favorite STAR WARS movies. I believe that it has its flaws. While I found the movie’s innocent air and joie de vivre approach to its story very appealing, I feel that the movie lacked a complexity that I believe gave an edge to the other five movies. I am not stating that the story and its characters lacked an emotional depth. There is some depth to both the story and the characters. But aside from the Han Solo character, the other characters seemed to be a bit one-dimensional in comparison. They were either good or evil. I can even say this about the Darth Vader character, who was given an opportunity for a bit of complexity in a scene in which he tried to explain the Force to the Death Star’s senior officers staff. While there are many who have no problems with a lack of moral ambiguity, I do. And I have to say that I was more than relieved when Lucas finally injected some moral ambiguity into his characters, in the franchise’s later films.

If there is one movie that initiated my dislike of Tatooine, it is “A NEW HOPE”. From the moment the camera focused upon 3PO and R2 trekking across the planet’s desert, I found myself struggling to maintain my interest on the movie. It is possible that Tatooine has a talent for putting me to sleep. Only something really exciting has to happen – like Luke and Obi-Wan’s first meeting with Han Solo and Chewbacca, along with their subsequent escape from the planet – could keep my interest sharply focused. I also have to admit that I am not a fan of the Battle of Yavin sequence that marked the destruction of the Death Star. It smacked too much of a World War II aerial dog fight, straight out of a 1940s movie. Speaking of that particular decade, I was not that impressed by Harrison Ford’s attempt to sound like a 40s tough guy, during Han’s argument with Leia following the escape from the Death Star in the following scene:

LEIA: That doesn’t sound too hard. Besides, they let us go. It’s the
only explanation for the ease of our escape.

HAN: Easy…you call that easy?

LEIA: Their tracking us!

HAN: Not this ship, sister.

Frustrated, Leia shakes her head.

LEIA: At least the information in Artoo is still intact.

HAN: What’s so important? What’s he carrying?

LEIA: The technical readouts of that battle station. I only hope that
when the data is analyzed, a weakness can be found. It’s not over yet!

HAN: It is for me, sister! Look, I ain’t in this for your revolution,
and I’m not in it for you, Princess. I expect to be well paid. I’m in
it for the money!

I know, I know. It does not seem like much. But hearing Ford spew those lines still make me wince after so many years. I was also disappointed by how Lucas handled the Princess Leia character in this film. I can already see heads spinning over this complaint. Superficially, Leia seemed like the perfect embodiment of a fictional female character of the late 20th century. Her intelligence, courage and razor-sharp wit practically screamed “I am woman, hear me roar!” And yet . . . Lucas dropped the ball with her character in one very significant moment in the film. His screenplay never revealed Leia’s reaction to Tarkin’s use of the Death Star to destroy her home planet, Alderaan. Not once. The moment Alderaan blew to smithereens, the movie cut back to the occupants of the Millennium Falcon and Obi-Wan’s reaction. Audiences saw Leia’s reaction to Tarkin’s order to destroy the planet. But we never saw the aftermath. We never saw Leia mourn over the deaths of millions of Alderaaneans – including her parents. Instead, Lucas allowed audiences a look at Luke’s reaction and grief over Obi-Wan Kenobi’s death at the hands of Lord Vader. Even worse, Leia seemed so focused over comforting Luke that she seemed to have forgotten about Alderaan’s destruction.

The production values for “A NEW HOPE” still holds up today after so many years. However, I suspect that one can attribute this to Lucas’ decision to utilize CGI to make the special effects for the 1977 movie and the other two from the Original Trilogy more effective and less dated. I realize there are many veteran fans of the saga who claim that Lucas’ CGI retouches were unnecessary. They have also expressed their dislike of the revamped movies. All I can say is that they are entitled to their opinions. I simply do not share them. However, John Williams’ score remains as stirring and iconic as ever. John Mollo did an excellent job for his simple and elegant designs for the movie’s costumes. However, I am a little peeved that he managed to snag an Academy Award for his work on this film; whereas the Motion Picture Academy failed to give Trisha Biggar even a nomination for her outstanding work in the Prequel Trilogy.

In conclusion, I can happily state that STAR WARS: EPISODE IV – A NEW HOPE” stands up very well after thirty-five years. The movie and the five other films of the STAR WARS franchise remain among the best adventure films ever made in Hollywood, as far as I am concerned. And I can only wonder if George Lucas and 20th Century Fox Studios ever released what it had unleashed upon the world when the movie was first released in theaters back in May 1977.

 

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R.I.P. Kenny Baker 1934-2016

Notes and Observations on “STAR WARS: EPISODE IV – A NEW HOPE” (1977)

The following is a list of minor notes and observations that came to me, during my recent viewing of “Episode IV: A New Hope”. I hope that you enjoy them:

Notes and Observations on “STAR WARS: EPISODE IV – A NEW HOPE” (1977)

*According to the movie’s opening scrawl, Leia possessed the Death Star plans that could “provide freedom to the galaxy”. Is that what happened at the end of the movie?

*Wow! R2-D2 really looks worn and old aboard the Organas’ ship, the Tantive IV. It is easy to imagine that he has been around for over three decades.

*Are the troops firing upon the stormtroopers, Alderaanian troops? If so, does that mean Leia had contradicted herself when she told Tarkin and Vader that Alderaan was a peaceful planet?

*When Vader made his entrance, the first thing that popped into my mind was Anakin leading the clone troopers to the Jedi Temple in ROTS.

*Father and daughter meet. At last.

*I hate to say this, but I have always found C3-P0 and R2’s adventures on Tatooine before meeting Luke to be slightly boring. Okay. I did find it boring.

*The technology inside the Jawa’s ship looked very outdated.

*It is interesting how Owen had to ask Threepio if he spoke Bocce for the moisture vaporators. Which tells me that he did not immediately know Threepio’s identity. But then, Threepio had not introduced himself.

*“But I was going into Toshi Station to pick up some power converters!” – Ah yes! The infamous Skywalker whining at work. I really don’t understand why many fans complained of Anakin’s whining in AOTC. Luke had to have inherited his whining from someone.

*C3-P0 finally introduces himself and R2-D2 when they are alone with Luke, inside the Lars’ garage.

*So, Threepio and Artoo were not personally in Leia’s service aboard the Tantive IV, as I had first imagined. I had forgotten that they had become the property of Captain Antilles.

*I did not realize that Luke knew where Obi-Wan “Ben” Kenobi lived.

*The moment Luke had mentioned R2 and 3P0 might belong to Obi-Wan, Owen ordered their memories to be wiped. Interesting.

*For some bizarre reason, I found myself seeing Padme comfort Luke and telling him not to grow up too fast.

*Artoo seemed to have set a lot in motion. Leia hid the Death Star plans in his system. Artoo was the one who set out to find Obi-Wan, bringing about the old Jedi Master and the future Jedi Master’s first meeting. And because Luke was forced to search for R2, he managed to avoid Owen and Beru’s fate.

*I also noticed that Vader did not bother to join the search for R2 and 3P0 on Tatooine.

*It is a good thing that those Tusken Raiders did not know that Luke was the son of the Jedi who had wiped out a tribe of their kind.

*Did Obi-Wan immediately recognize the two droids?

*”He was the best star-pilot in the galaxy, and a cunning warrior.” – It is nice to know that’s how Obi-Wan remembered Anakin. But then these next words, as he handed over Anakin s lightsaber to Luke rather spoiled the moment – “I have something here for you. Your father wanted you to have this when you were old enough, but your uncle wouldn’t allow it.” – especially in light of how Obi-Wan really managed to acquire the lightsaber. Obi-Wan’s description of how Vader had “murdered” Anakin spoiled the moment even further.

*If the Emperor had dissolved the Imperial Senate as stated by Tarkin in the movie, then it is obvious that Lucas had abandoned the earlier idea of Palpatine being a pawn or puppet of other politicians, as indicated in the 1976 edition of The Journal of the Whills.

*”Don’t be too proud of this technological terror you’ve constructed. The ability to destroy a planet is insignificant next to the power of the Force.” – Was this an example of Vader’s past Jedi training coming to the fore? Or was this an example of his Sith background? Or his 30 odd years as a Force user?

*Some people have stated that Luke’s upbringing had prepared him to face Owen and Beru’s deaths a lot better than Anakin had dealt with Shmi’s death. But considering Luke’s reaction to Obi-Wan’s death, along with Han and Leia’s endangerment in both ESB and ROTJ, I would say that Luke did not feel as emotionally close to the Lars as he did to the other three.

*”Mos Eisley Spaceport. You will never find a more wretched hive of scum and villainy. We must be cautious.” – Famous words to live by. I wonder if Obi-Wan had ever visited Mos Espa.

*I love how the special effects recently added to the film, has enhanced the details of Mos Eisley during Luke and Obi-Wan’s arrival.

*I was surprised to notice the small number of human customers and inhabitants inside the cantina in Mos Eisley.

*For one crazy moment, Sir Alec Guiness sounded like Ewan McGregor in the scene where Obi-Wan and Luke meet Han Solo for the first time.

*”That’s okay. I’m never coming back to this planet, again.” – Careful Luke. Never make promises that one cannot keep.

*Does anyone know the name of the creature that followed Luke and Obi-Wan to the Millennium Falcon’s hangar?

*I had no idea that Boba Fett had been working for Jabba the Hutt before the incidents of ESB.

*I don’t think that even the massacre at the Jedi Temple in ROTS could ever exceed the horror of Alderaan’s destruction. Tarkin made Vader look like an amateur.

*Did I detect a slight British accent coming out of Carrie Fisher’s mouth?

*While watching Obi-Wan begin Luke’s training in the Jedi skills, I realized that this is the first time I’ve seen a 19 year-old Jedi youngling.

*”That’s good. You’ve taken your first step into a larger world.” – A rather apt description of one’s introduction into the Force.

*”I sense something. A presence I have not felt since . . .” – I find it odd that Vader was able to immediately sense Obi-Wan, yet Obi-Wan did not sense Vader until the latter nearly found him?

*“Bring em’ on! I prefer a straight fight to all of this sneaking around!” – I found Han’s comment rather odd, considering that he was a smuggler.

*”Better her than me!” – I found Han’s refusal to save Leia rather cold, considering that she would end up being his future love.

*Leia was imprisoned in cell block 1138. Hmmm . . . do you suppose that Robert Duvall is with her?

*Han gave the worst impression of an Imperial trooper I have ever seen. Classic moment.

*”Hi! I’m Luke Skywalker. I’m here to rescue you.” – Brother and sister meet for the first time since their births.

*”Will someone please get this big, walking carpet out of my way?” – Ah! Leia is still Daddy’s girl.

*Watching Luke and Leia swing to safety reminded me of Anakin and Padme’s failure to do the same in AOTC.

*Anakin (Vader) vs. Obi-Wan: Part II – in retrospect, is not as exciting or thrilling as their first duel on Mustafar.

*Vader’s dialogue seemed rather wooden during his duel with Obi-Wan.

*”Not this ship, sister.”/”It is for me, sister.” – Without a doubt, these are the two worst lines ever uttered in a STAR WARS movie. And both lines had been spoken by Harrison Ford.

*For a guy that had been traumatized by Obi-Wan’s death, Luke seemed to have recovered from his grief rather fast. Even to the point that he ended up contemplating a romance with Leia before the Falcon could reach Yavin IV.

*Despite the Battle of Yavin sequence, the movie never recaptured or continued its drive, following the Falcon’s escape from the Death Star.

*Why did Han and Chewbacca attend the pilot’s briefing on their mission to destroy the Death Star? Especially since the two never had plans to hang around any longer or join the Rebel Alliance.

*Typical of Vader/Anakin in that he had decided to join the Imperial fighters in the battle, instead of remaining with the generals.

*What do you know? Uncle Dennis . . . oop! I mean, Wedge to the rescue!

*It seemed as if Lucas had incorporated nearly every World War II aviator cliché into the Battle of Yavin sequence.

*Someone in my family had pointed out that the Rebels never really had any kind of strategy to destroy the Death Star. Instead, the Alliance military leaders merely had an objective and a method to destroy the station.

*When Obi-Wan had urged Luke to use the Force, had he foreseen that Vader would sense it?

*When I first saw ANH, I had wondered why Vader did not die in the end. From a 29 year perspective, I know understand why.

*The medal ceremony featured a good number of pilots in the audience. So, where had they been during the Battle of Yavin?

*Someone had described the medal ceremony near the end of the film as a pyhrric victory for the Rebel Alliance. When one contemplates on what laid ahead for Luke, Leia, Han and the others . . . that person may have been right.

*I would describe ANH as the most fun of all the STAR WARS movies. A straight out adventure flick with heroes, villains, damsels and wizards. Which would explain why many fans consider it to be the best of the saga. However . . . as much fun ANH was, it harbored very few meaningful metaphors and complexities in compare to the five other films that followed. It’s a lot of fun, but somewhat a little shallow to me.