“YOU ONLY LIVE TWICE” (1967) Review
In recent years, EON Production’s 1967 movie, “YOU ONLY LIVE TWICE” has not been highly regarded by many Bond fans. In a way, I can understand why, judging by Sean Connery’s performance in his fifth consecutive turn as James Bond and the movie’s plot.
The plot begins with the abduction of an American space capsule in space by a mysterious craft. The U.S. government blames the Soviet government, but the British government, who has tracked the mysterious craft to Japan, where James Bond is sent to investigate. With the help of Tiger Tanaka and Japan’s SIS agency, Bond eventually links the mysterious craft to SPECTRE, who is being paid by the People’s Republic of China to start a war between the U.S. and the Soviet Union. As one can see, the movie’s plot, written by Roald Dahl, bears very little resemblance to the novel under the same name. Characters like Kissy Suzuki, Tiger Tanaka, Ernst Blofeld and Dikko Henderson are in both the movie and the novel. But the latter dealt with a Bond (depressed over the death of his wife, Tracy) given one last chance by MI6 to get direct access from the Japanese to Magic 44, the project revealing all Soviet radio transmissions. The mission, which eventually involves Blofeld and a place called “Castle of Death”, seems like a far cry from the movie’s plot.
Not only is the movie’s plot bears very little or no resemblance to the novel (a first in the Bond franchise), there are some moments in the story that seem to defy logic. I never understood why Aki (Akiko Wakabayashi) failed to mention that she worked for Tiger Tanaka (Tetsuro Tamba) and the Japanese SIS when she first met Bond. Why would Helga Brandt (Karin Dor) go through all of that trouble in allowing Bond to “convince her” to betray Osato (Teru Shimada) before finally attempting to kill him? If she did it for sex with the British agent, then she had deserved to be consumed by the piranha fish. I never could figure out on which side was the wheel placed on Aki’s white Toyota sports car – the left or the right. What exactly did Bond plan to do once he joined the escaped American astronauts impersonating SPECTRE astronauts? Especially since he had sent Kissy Suzuki (Mie Hama) to summon Tiger and his Ninja warriors? And why in the hell did Blofeld (Donald Pleasance) shoot Osato and then force Bond to another spot before attempting to kill him? Why was it necessary for him to force Bond to move to a different spot, in the first place?
Most of the performances in the movie were satisfying. especially Akiko Wakabayashi, who memorably played the charming and very competent Aki. In fact, I would say that she practically gave one of two gem performances in the movie. It seemed a shame that she had failed to survive the movie. The other gem turned out to be the performance of Tetsuro Tambo, who played the charismatic head of Japan’s SIS, Tiger Tanaka. Teru Shimada was properly menacing as SPECTRE middleman, Mr. Osato. Charles Gray made a nice appearance as MI6 agent, Dikko Henderson, four years before his stint as Ernst Blofeld.
Speaking of Blofeld, Pleasance was not bad, but his Middle European accent seemed a little unconvincing and the scar on his cheek seemed a little over-the-top. Karin Dor seemed like an obvious attempt on EON Production’s part to cash in on Luciana Paluzzi’s popular performance in “THUNDERBALL” . . . and it failed. Her appearance seemed like a waste of time. Mie Hama, although charming and beautiful, turned out to be one of the most boring Bond leading ladies of all time. I could not detect anything interesting about her character, Japanese SIS agent and diving girl, Kissy Suzuki. Many have commented on Sean Connery’s less than spectacular performance in this movie. And I must agree with their opinion. Granted, he had some good moments with Wakabayashi and Tambo, but overall, he seemed to be walking through the performance. And this is not surprising, since it had been reported that Connery was pretty much weary of the Bond role, by this time. But at least he did not seemed to be spoofing his role, as he did in “DIAMONDS ARE FOREVER”.
“YOU ONLY LIVE TWICE” did have high water marks, other than Wakabayashi and Tambo’s performances. The movie can boast beautiful shots of Japan, thanks to cinematographer, Freddie Young; and a lovely John Barry score, topped by a beautiful and lilting theme song, performed by Nancy Sinatra. “YOU ONLY LIVE TWICE” might not be considered the best of Bond films or those made during the Connery era, but it still turned out to be very entertaining.