“INDEPENDENCE DAY: RESURGENCE” (2016) Review
Back in the 1990s, Twentieth Century Fox Studios, producer Dean Devlin and producer-director Roland Emmerich delivered a science-fiction epic about an alien invasion during the Fourth of July holiday. Hence, the title – “INDEPENDENCE DAY”.
Twenty years later, the studio and the two producers delivered a sequel to the 1996 blockbuster. This movie, “INDEPENDENCE DAY: RESURGENCE”, featured some of the same characters and the same aliens. And . . . this movie was set during the twentieth anniversary of humanity’s previous victory against the aliens – on the Fourth of July.
In anticipation of the invading aliens’ return, the United Nations have collaborated to form the Earth Space Defense (ESD), an international military defense and research organization that has developed hybrid technology, reverse-engineered from the invaders’ fallen ships in anticipation that they would return. When the returning aliens again attack Earth with an advanced and unprecedented force, a new generation of defenders from the ESD joins forces with the surviving protagonists from the 1996 film to participate in a battle to save the world from annihilation. Humanity also discovers that their adversary might also have other enemies of their own. Among the survivors from the first film are:
* David Levinson – the MIT-educated computer expert, environmental activist and one of the heroes from the 1996 film, who has become the ESD Director in charge of the civilian sector
*Thomas J. Whitmore – the former U.S. president during the first invasion and former Gulf War pilot, who has been suffering from occasional bouts of PTS from the previous invasion
*Julius Levinson – David’s widowed father, who has written a book about his previous experiences from the previous invasion
* Dr. Brakish Okun – the comatose Area 51 scientist, who has awaken after 20 years
*Jasmine Dubrow-Hiller – widow of the late war hero Steven Hiller and a former exotic dancer, who had returned to school to study nursing and become a hospital administrator
*Dylan Dubrow-Hiller – Jasmine’s son and Steven Hiller’s stepson, who became a pilot and captain in ESD; and a fleet leader of the Legacy Squadron
*Patricia Whitmore – Whitmore’s daughter, who is not only an ESD pilot, but also aide to the current president, Elizabeth Lanford
*William Grey – retired U.S.M.C. general, Whitmore’s former head of the United States Space Command, who had succeeded the latter as U.S. President
The movie also featured new characters, but I will get to them later.
The movie begins with the world preparing to celebrate the twentieth anniversary of its victory over the aliens. David Levinson and ESD colleague Dr. Catherine Marceaux travel to the Republique Nationale d’Umbutu to meet with warlord Dikembe Umbutu, who leads him to an intact alien destroyer. Aboard the ship, they discover that the alien occupants had sent a distress call to their home planet before being defeated. Furthermore, Levinson and Marceaux discover that Umbutu has been telepathically linked with the aliens ever since his personal encounter with one, years ago. They also discover that both former President Whitmore and Dr. Okun, who awakens at Area 51 after a twenty-year coma, are also among those who are telepathically linked with the aliens, due to their previous encounters.
The following day, an unknown alien ship or sphere emerges from a wormhole near Earth. Although Dr. Levinson believes it might belong to a race that might be benevolent, Earth’s Security Council orders it to be shot down. When ESD pilots Jake Morrison (Patricia Whitmore’s fiance) and Charlie Miller take Levinson, Marceaux, Umbutu, and Levinson’s accountant Floyd Rosenberg to the alien wreckage on a space tug; an alien mothership appears and destroys Earth’s planetary defenses before approaching the planet. The mothership then lands over the Atlantic Ocean and begins destroying cities on the Eastern Seaboard. The alien invaders also begin drilling a hole through the bottom of Earth to harvest the heat of the planet’s core for fuel, which will destroy its magnetic field in the process.
I once came across an article in which producer-director Roland Emmerich admitted that he did not like making sequels. While watching “INDEPENDENCE DAY: RESURGENCE”, I found it easy to believe his words. The movie, pardon for saying this, seemed to lacked heart. It also seemed to lacked the magic of its 1996 predecessor and a handful of other movies directed by Emmerich. I am aware that “INDEPENDENCE DAY” had its problems. But it still had a magic and energy that was particularly lacking in this new sequel. It seemed as if Emmerich was going through the motions, while directing this film. But you know what? He was not solely to blame. I also had a problem with the film’s screenplay, written by Emmerich, Devlin and three other screenwriters.
First of all, this movie seemed to lack any kind of originality whatsoever. It was bad enough that it tried to copy some of the aspects of the 1996 – especially with the movie’s finale set at Area 51. I also noticed that the movie tried to copy the old “refugees caught up in the alien invasion” with a sequence that featured David Levinson’s father, Julius, traveling from Florida to Nevada with a car full of recently orphaned kids. The problem with this particular sequence is that it did not last very long, due to Mr. Levinson and his companions reaching Nevada rather quickly. Too quickly, if I must be honest.“INDEPENDENCE DAY: RESURGENCE” also utilized the old “drilling to the Earth’s core” spiel from movies like 1976’S “AT EARTH’S CORE” and 2003’s “THE CORE”, a storyline that failed to generate any interest within me.
I certainly had a problem with the movie’s portrayal of the central (and fictional) African nation, the Republique Nationale d’Umbutu. I found it so stupid. According to a Wiki page, the country came into existence by a local warlord in the wake of the invasion from the previous movie. But the warlord wanted nothing to do with the outside world, despite spending several years fighting some alien survivors. This was just ridiculous. One, I cannot see the international community standing by and allowing any of the alien survivors posing as a threat, even in a newly formed and isolationist country. Two, the d’Umbutu must have been some kind of idiot to prevent other countries from helping out the alien threat against his. By the time of the second film, the warlord’s son, Dikembe Umbutu, had become the new head of state. Not long after he met with David Leivnson and Catherine Marceaux, all three left the country and the Republique National d’Umbutu was never heard from again. The whole point of featuring this setting in the first place was to serve as a background for the Dikembe Umbutu character and to indicate that the alien survivors in that country had sent a distress signal before they were killed. What was the point of this distress signal in the first place? Surely, the aliens’ defeat at the hands of the humans was enough to encourage them for a second attempt at planetary invasion? Good grief!
Another major problem I had with “INDEPENDENCE DAY: RESURGENCE” was the characterizations featured in this film. The latter seemed to be reeking with clichés. One good example was the Jake Morrison character portrayed Liam Hemsworth. After portraying the complex Gale Hawthorne character in “THE HUNGER GAMES” movie franchise, poor Hemsworth found himself saddled with a very unoriginal character that seemed unworthy of his skills as an actor. Jake Morrison fit the typical “hotshot” pilot trope, straight out of movies like “TOP GUN” – a brash and talented pilot, whose aggressive and cocky manner seemed to irritate his commander. Boring. And the Dylan Dubrow-Hiller character portrayed by Jessie T. Usher, who came off as a humorless straight-arrow type who always seemed to reek with disapproval of Hemsworth’s Jake. Usher was Val Kilmer to Hemsworth’s Tom Cruise. I am not that familiar with Angelababy as an actress, but it seemed clear to me that her character, ESD pilot Lieutenant Rain Lao, is a female version of Dylan Dubrow-Hiller, whose uncle is the ESD Moon Base’s commander, portrayed by Emmerich veteran Chin Han (“2012”). And what would a “hotshot” type like Jake Morrison be without his goofy sidekick “aka Anthony Edwards”? Travis Tope filled this spot in his portrayal of Jake’s “devoted”friend, Lieutenant Charlie Miller. And just to make sure that poor Charlie was more than a sidekick, the screenwriters allowed him to become infatuated with Lieutenant Lao, who seemed to have no interest in him, whatsoever . . . until he proved his . . . manliness in the final battle against the aliens and their queen. Maika Monroe as Patricia Whitmore did not really do much in this film other than express concern for her ailing father, Thomas Whitmore and be Hemsworth’s romantic interest. Well . . . at least her character played a minor role
But the younger characters were not the only ones I found troublesome. It was nice to see Jeff Goldblum and Judd Hirsch portray David and Julian Levinson, again. Unfortunately, the writers dumped Hirsch’s character with a bunch of kids led by an adolescent Joey King in some convoluted attempt to involve them in an “epic” journey. As the for the David Levinson character, he seemed to be romancing his ESD colleague, Dr. Catherine Marceaux, portrayed by Charlotte Gainsbourg. Which led me to wonder what happened to Connie Spano, the ex-wife with whom David had reunited at the end of the 1996 film. Did her character die sometime between the two movies? Or did she and David break up again? Worse, I noticed that David did not have a major role in the aliens’ defeat. Neither did Dr. Marceaux for that manner. Why was she in this movie in the first place, other than provide Jeff Goldblum with a romantic lead? That honor seemed to go to the military characters. At least Brent Spinner’s Dr. Brakish Okun had a lot more to do in this film. He was the one who made first contact with the alien sphere. But how in the hell did he survive from being attacked in the last movie? I thought he had been declared dead. Confusing. Bill Pullman, who portrayed former President Thomas Whitmore spent most of the film reacting to the Post-Traumatic Stress (PTS) from his past close encounter with an alien, twenty years ago. He did have a part in the final action scene against the aliens. Actor Deobia Oparei’s Dikembe Umbutu struck me as a one-note characterization of masculinity. He could have been more interesting and worthy of Oparei’s talent, but the screenwriters sold him short. His only real purpose, it seemed, was to be around to give final approval of the Floyd Rosenberg character, after the latter managed to “prove his masculinity” by saving Umbutu’s life. Sigh. Robert Loggia made a brief cameo as Whitmore’s former Chief of Staff General Grey some time before his death in December 2015. Thank goodness this movie was not the last one for a first-rate actor like Loggia.
The worst characterizations proved to be those for Vivica A. Fox’s Jasmine Dubrow-Hiller and Sela Ward’s President Elizabeth Lanford. The screenwriters’ handling of their characters struck me as sheer travesty. In a nutshell, the screenwriters killed off both of them. I was so disgusted that I left the theater feeling that Dean Devlin and Roland Emmerich had something against middle-aged women. Fox Jasmine barely had five minutes of screen time before the writers bumped her off, while son Dylan raced to the hospital to save her. Apparently, Emmerich and Devlin had decided she was not worth keeping around, due to Will Smith’s refusal to do the movie. Worse, Fox’s character was fridged for the sake of the Dylan Dubrow-Hiller character. The President Elizabeth Lanford character proved to be a major problem as well. When I first saw Sela Ward (who also appeared in Emmerich’s “THE DAY AFTER TOMORROW”) on the screen, I was interested to see how the screenwriters would explore how she would handle an alien invasion. Well, audiences did not get to see much, because the writers . . . KILLED HER OFF before the movie had reached the midway point!! Worse, she was replaced by General Joshua T. Adams of the ESD, as portrayed by William Fitchner. Apparently, Devlin and Emmerich do not believe that a woman civilian is capable of leading a nation through an alien invasion.
I will give “INDEPENDENCE DAY: RESURGENCE” points for its attempts at originality. One, the humans’ defeat of the alien invaders played out differently than it did in the 1996 movie. It involved the invaders’ Queen (or leader) arriving at the Area 51 base (for reasons that had eluded me), David and Julius Levinson on a bus with the latter’s young traveling companions, both Thomas and Patricia Whitmore, and a group of ESD pilots that involved Dylan Dubrow-Hiller and Jake Morrison. I wish I could go into details on what happened, but I do not think I have the energy to do so. But it was original, if not someone cheesy. The introduction of another alien race that might be enemies of the invaders was another interesting attempt at originality. I suspect this new race was introduced to hint at the possibility of a franchise developing from this movie. Hmmmm. We will see. Although I have my doubts.
I will also give points to “INDEPENDENCE DAY: RESURGENCE” for its special effects. Yes, I admit that there times when I found Markus Förderer’s photography rather unusually dark . . . more than I care to admit. But when the visuals were clear, I must admit that I found Förderer’s photography rather breathtaking. This was especially the case for the movie’s final action sequence at the Area 51 base. More importantly, his photography greatly enhanced Barry Chusid’s production designs, which did a top-notch job in reflecting how the aliens’ technology had enhanced Earth’s 21st century society; along with the work of the visual effects team led by Shaun Friedberg.
After reading this review, one would come away with the belief that I disliked “INDEPENDENCE DAY: RESURGENCE”. Yes, I am pissed at how Dean Devlin and Roland Emmerich handled the two major middle-aged women characters in this film. And I was far from impressed by the movie’s plot and other characterization. The movie also lacked the magic of the 1996 film. But I liked it. I did not love it. I barely tolerated it. At least I did three years ago. Can I say the same now? Hmmm . . . perhaps not.