“GODZILLA” (2014) Review

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“GODZILLA” (2014) Review

“Godzilla again?” That was my first reaction when I learned about a new Godzilla movie to be released for the summer of 2014 over four years ago.  The last movie about the iconic Japanese monster had been released some 16 years previously and was met with a good deal of derision. Mind you, I rather liked the 1998 film, but I did not love it.  But . . . I was willing to give this new film a chance. 

“GODZILLA” 2014 begins with a montage of atomic test bombings in the Pacific Ocean by the U.S. Navy. In the last montage, a large creature emerges from the ocean depths. The story immediately shifts to the Philippines Islands in 1999, when a pair of scientists named Ishiro Serizawa and Vivienne Graham investigate a large skeleton discovered inside a collapsed mine. They also discover two egg-shaped pods. The broken one leaves a trail leading to the sea. The Janjira nuclear plant in Japan experiences unusual seismic activity. The plant’s American-born supervisor, Joe Brody, sends his wife Sandra and a team of technicians into the reactor to check the sensors. When the team is inside, an explosion occurs, threatening to release radiation to the outside. Sandra and her team are unable to escape and the plant collapses into ruin. The disaster is attributed to an earthquake. But Brody suspects otherwise and spends a good number of years investigating the disaster.

Fifteen years later, Brody’s son, Ford, has become a U.S. Navy bomb disposal officer, living in San Francisco with his wife and son. When Brody is arrested for trespassing at the Janjira exclusion zone, Ford is forced to travel to Japan. Convinced of a cover-up of the true cause of the disaster, Brody convinces Ford to accompany him to their old home to retrieve vital seismic data he had recorded before the plant disaster. Father and son discover that Janjira is not contaminated with radiation, unlike the official report. After recovering the data, they are arrested and taken to a facility containing a massive chrysalis within the plant’s ruins. As they watch, a colossal winged creature emerges and escapes. After Brody is wounded by the creature, he dies from his wounds. Ford, Serizawa and Graham join a U.S. Navy strike force led by Admiral William Stenz on the aircraft carrier U.S.S. Saratoga to track the creature, which has been labeled as a MUTO (Massive Unidentified Terrestrial Organism). Serizawa and Graham reveal that only one creature can stop MUTO, an ancient alpha predator known as Godzilla. When the MUTO causes the wreck of a Russian submarine, Godzilla emerges to feed off the sub’s radiation and pursue MUTO. More bad news arrives when Stenz, Serizawa and Graham learn about the emergence of a female MUTO in Las Vegas. The two scientists suspect that the MUTO from Japan is on his way to breed with his female counterpart.

Well, this was a first . . . at least for me. Godzilla as the main protagonist? That is exactly how writers Max Borenstein and David Callaham portrayed the monster. I suspect this has been done before in previous Godzilla films. Since I have never seen one, aside from the 1998 flick in which he was clearly the antagonist, this was news to me. Did I like the movie? Hmmmm . . . yes and no.

Let me explain. There are aspects of “GODZILLA” that I liked. The cast is pretty decent. Bryan Cranston chewed the scenery during his appearances in the movie’s first half hour. Usually, this would bother me, but for once I welcomed his over-the-top acting for I thought it gave the movie a lot of energy. One would think I dislike the rest of the cast. Honestly, I do not. I enjoyed Aaron Johnson-Taylor’s subtle portrayal of Brody’s more reserved and equally intense son, Ford. Actually, I thought Cranston and Johnson-Taylor balanced each other very well and it seemed a pity that the elder Brody was killed off after a half hour. Elizabeth Olsen, who portrayed Ford’s more ellubient wife. Like Cranston, she also balanced very well with Johnson-Taylor. Unfortunately, the two younger stars spent most of the movie away from each other. Ken Watanabe and David Strathairn gave solid performances as Admiral Stenz, who is willing to resort to anything to get rid of MUTO (and perhaps Godzilla) and Dr. Ishiro Serizawa, who believes that the only way to solve the situation regarding MUTO and Godzilla is to let them fight it off.

“GODZILLA” also benefited from some first-class photography, thanks to cinematographer Seamus McGarvey’s stunning work. I was especially impressed by one sequence featuring the HALO jump of Ford and a team of Army soldiers into San Francisco in order to prevent a missing warhead from detonating, as shown in this image:

There were some sequences in the movie that I enjoyed, including the original accident at the Janjira plant, the first MUTO’s emergence in Japan and especially the arrival of Godzilla and the first MUTO in Honolulu. Unfortunately, “GODZILLA” is not perfect.

I feel that “GODZILLA” lacked two qualities that made the 1998 movie so likable for me – a more centralized story and more colorful characters. I hate to say this, but Borenstein and Callaham’s story could have been a little more tighter. Actually, it could have been a lot more tighter. It seemed to be all over the map. Although the movie more or less ended in San Francisco, it took a long time for the story to arrive at that location. Gareth Edwards’ occasionally lackluster direction did not help. Also, I was not that impressed by the writers’ use of Godzilla as the main protagonist. It just did not work for me . At least not now. Perhaps one day, I might learn to embrace the concept. My problem is I found myself wondering why Godzilla went after the MUTOs in the first place. I doubt it he went after them for the sake of the human race.

And this movie lacked some serious characterization. Characters like Admiral Stenz, Doctors Serizawa and Graham were tight-lipped and professional, while struggling to keep their emotions in check. But I did not find them particularly interesting or found myself caring about their fates. I also feel that Juliette Binoche (who portrayed Cranston’s doomed wife) and Sally Hawkins (Dr. Vivienne Graham) were simply wasted in this movie. I realize that many critics do not seem to care for Aaron Johnson-Taylor. I simply feel otherwise. I like him a lot as an actor. But he has a rather subtle screen presence and he needed someone more colorful to balance his more quiet persona. He had the explosive Bryan Cranston and an emotional Elizabeth Olsen. But Cranston’s character was killed off after the first half hour. And Olson had very few scenes with him. In the end, the writers failed to provide Johnson-Taylor with more colorful characters to balance his style . . . something that Dean Devlin and Roland Emmerich managed to do for Matthew Broderick in the 1998 film.
Did I bothered to purchase a copy of “GODZILLA” when it is released on DVD? Yes, I did. The movie is far from perfect, but I cannot deny that I still liked it.  A lot.

 

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“VANTAGE POINT” (2008) Review

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“VANTAGE POINT” (2008) Review

“VANTAGE POINT” is a tightly woven thriller about eight strangers with eight different points of view of an assassination attempt on the President of the United States, during an anti-terrorism summit in Salamanca, Spain. Directed by Pete Travis and written by Barry Levy, the movie starred Dennis Quaid, Matthew Fox, Forest Whitaker, Sigourney Weaver and William Hurt.

When I had first saw the trailer for “VANTAGE POINT” four years ago, I had assumed it would be one of those remakes of the Japanese film, “RASHOMON” (1950). I figured there would be an assassination attempt on the President and the film would follow with various points of view on the incident. This is what actually happened in “VANTAGE POINT” . . . but not quite.“VANTAGE POINT” did reveal the assassination attempt from various points of view. In “RASHOMON” and other versions of the film, those views are shown as flashbacks. But in “VANTAGE POINT” each point of view is not a flashback. Instead, each POV merely gives a certain view of the story, while the story moves forward. For example, the movie started out with the point of view of a news producer (Sigourney Weaver), before ending at a particular point in the story. The next point of view belongs to Secret Service agent Thomas Barnes (Dennis Quaid), which ends a little further in the story than the news producer’s POV. And so on. The movie ends with an exciting action sequence told from the various viewpoints of the major characters – heroes and villains.

The more I think about “VANTAGE POINT”, the more I realize how much I enjoyed it. I enjoyed the tight setting of Salamanca, Spain (actually the film was shot in Mexico). I must add that one of the things I enjoyed about this movie was that Levy’s script had a way of putting a twist on any assumptions anyone might form about the plot. I loved how Travis handled the film’s action, making it well-paced. I enjoyed the performances of the major cast members. I was especially impressed by the performances of Dennis Quaid as the emotionally uncertain Barnes, who eventually pieced together the real plot. I also enjoyed the performances of Matthew Fox as his fellow Secret Service agent, Forest Whitaker as an American tourist and Edgar Ramirez (“THE BOURNE ULTIMATUM”) as a Spanish Special Forces soldier involved in the plot against the President. But more importantly, I loved Barry Levy’s script, which put a twist on any assumptions the moviegoer may have formed about the story’s plotlines and characters. My only quibble with “VANTAGE POINT” was the interaction between Whitaker’s character and a Spanish girl, which I found slightly contrived near the end of the movie.

“VANTAGE POINT” did pretty well at the box office. Unfortunately, most critics compared it unfavorably to “RASHOMON”. Personally, I do care about the critics’ opinion. “VANTAGE POINT” was the type of movie that forced the audience to think. And I suspect that many moviegoers and critics would have preferred a film that laid everything out in the open. And since I have a history of liking movies that are not popular with the public or film critics, all I can say is that I am personally glad that I had purchased the DVD for this movie. It ended up becoming one of my favorite 2008 movies.