“EVIL UNDER THE SUN” (2001) Review
There have been four adaptations of Agatha Christie’s 1941 novel, “Evil Under the Sun”. One version was a radio play that broadcast in 1999. The Adventure Company released its own adaptation in 2007. John Bradbourne and Richard Goodwin released a movie version in 1982. However, the adaptation that has recently caught my attention is the 2001 television movie that aired on ITV’s “AGATHA CHRISTIE’S POIROT”.
While dining at his friend Captain Arthur Hasting’s new Argentine restaurant, Belgian detective Hercule Poirot suffers a sudden collapse. His doctor reveals that Poirot need to lose weight or risk a heart condition. Both the doctor and the detective’s secretary, Miss Lemon, book Poirot at a health resort on the coast of Devon called Sandy Cove. Miss Lemon also insists that Captain Hastings accompany him.
At the Sandy Cove Resort, both Poirot and Hastings come across the usual assortment of guests. Among them was a well-known stage actress named Arlena Stuart Marshall. Many of the guests disliked Arlena, including her new husband, Captain Kenneth Marshall and her 17 year-old stepson, Lionel. Another guest, Mrs. Christina Redfern harbored jealousy over Arlena’s indiscreet affair with hubby Patrick. Well-known dressmaker Rosamund Darnley, was an old flame of Captain Marshall’s, and also harbored jealousy toward Arlena. A fanatical vicar named the Reverend Stephen Lane viewed Arlena as the embodiment of evil. An athletic spinster named Emily Brewster harbored resentment toward Arlena for bailing out on a play she had invested. The only guests who seemed to harbor no feelings regarding Arlena were a Major Barry and a Mr. Horace Blatt. But both seemed to be involved in some mysterious activities around the resort’s island – including the location where Arlena had been waiting to meet for a clandestine lover. When Arlena’s body is discovered strangled to death, Poirot and Hastings work with Scotland Yard inspector Japp to investigate the crime.
When I was younger, I had read Christie’s novel on a few occasions. I tried to enjoy the novel. I really did. I understood that it was a favorite among Christie fans. But I never managed to rouse any enthusiasm for the story. There was something about it that struck me as rather flat. This 2001 television adaptation seemed to be an improvement over the novel. Perhaps a visual representation on the television screen made it easier for me to appreciate the story. I certainly cannot deny that Rob Hinds’ production designs struck me as colorful and sleek – a perfect continuation of the Art Deco style that had dominated the “AGATHA CHRISTIE’S POIROT” since the beginning. I was also impressed by Charlotte Holdich’s sleek costume designs for the cast – especially the female characters. Overall, “EVIL UNDER THE SUN” proved to be eye-candy for those who usually enjoy television and movie productions with a 1930s setting.
The subplot involving Poirot’s health certainly made it easier for me to understand why he would vacation at a not-so-interesting hotel resort. To be honest, I could not see someone like the flashy Arlena Marshall being a guest at such a low-key location. Screenwriter Anthony Horowitz made a wise choice in transforming Arlena’s 16 year-old stepdaughter Linda Marshall, who studied magic; into a 17 year-old boy, studying poisons. Arlena had been strangled. And Scotland Yard made it clear that large hands had been responsible for the crime. The idea of a 16 year-old girl with man-size hands struck me as slightly improbable. After all, if Christie wanted Linda to be considered as a serious suspect, she should have changed the character’s gender, which Horowitz did; or find another method to bump off Arlena Stuart.
The above mentioned changes in Christie’s story – Poirot’s health problems and the transformations of the Linda/Lionel Marshall character – seemed like improvements over the original story. However, other changes made it impossible for me to love this adaptation. I understand why the series’ producers and Horowitz had decided to include Hastings, Japp and Lemon into the story. After all, the Eighth Series, which aired in 2000 and 2001, proved to be the last that featured these three characters. But none of them had appeared in the 1941 novel. Hastings’ presence only gave Poirot a pretext for vacationing at Sandy Cove in the first place. Unfortunately, the running joke about Poirot’s distaste toward the resort’s health-conscious menu for its guests became tiresome within one-third of the movie. Other than the Argentine restaurant sequence, Horowitz failed to make Hastings’ presence relevant to the story. And why on earth was Chief Inspector Japp investigating a murder in Devon? He was outside of Scotland Yard’s jurisdiction, which was limited to Greater London and the home counties of Essex and Hertfordshire in the East of England; along with Buckinghamshire, Berkshire, Surrey and Kent in South East England. In other words . . . what in the hell was Japp doing there in Devon? Miss Lemon proved to be the only veteran recurring cast member that proved to be relevant to the story. She helped Poirot investigate another murder case with connections to Arlena Stuart’s murderer.
The cast gave solid performances. But I could not recall any memorable performances among them. The four main cast members – David Suchet, Hugh Fraser, Philip Jackson and Pauline Moran – were competent as usual. I was also impressed by Michael Higgs (Patrick Redfern), Carolyn Pickles (Emily Brewster), Ian Thompson (Major Barry), Tamzin Malleson (Christine Redfern) and especially Russell Tovey (Lionel Marshall). But there were performances that failed to rock my boat. David Mallinson’s portrayal of Kenneth Marshall struck me as . . . meh. He was not terrible, but simply not that interesting. Marsha Fitzalan’s performance as Rosamund Darnley seemed a bit off. Her portrayal of the dressmaker struck me as gossipy and callow. She seemed like an early 20th century version of her old role, Caroline Bingley; instead of the warm and strong-willed Rosamund. Both Tim Meats and David Timson’s performances seemed slightly hammy and rather off for such a low-key production. But the real worm in the apple proved to be Louise Delamere’s portrayal of victim Arlena Marshall. I realize that Delamere was given a role that seemed the least interesting in Christie’s novel. But Horowitz’s script and Delamere’s performance failed to improve upon it. Delamere ended up projecting a fourth-rate version of Diana Rigg’s performance in the 1982 film.
Overall, “EVIL UNDER THE SUN” proved to be a mixed bag. Production wise, it looked sleek and colorful. The script provided a few improvements over Christie’s novel. And there were some first-rate performances that included David Suchet. But in the end, I felt the movie was slightly undermined by other changes that I found unnecessary and some not-so impressive performances.